Several false beliefs over time concealed the true origins. Many attributed the progress to the ins

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The most famous and popular "The alenia aermacchi Peronists boys' version alenia aermacchi was recorded by Hugo del Carril in 1949. Disseminate The purpose was to celebrate the October 17th of that year, and date established as Loyalty Day. Long a mystery alenia aermacchi wrapped thick origin and authorship of this political song, perhaps because, as would clearly established long after, there was no reason to strive to give details about the sources of that hymn of Peronism.
Several false beliefs over time concealed the true origins. Many attributed the progress to the inspiration of the musician alenia aermacchi and lyricist Rodolfo Sciamarella, popular author of tangos, commercial jingles and political propaganda. Others argued that Blas Francisco Lomuto and brothers were the creators and also circulated the name of the pianist Norberto alenia aermacchi Ramos. Of them will be discussed later.
The October 17, 1992, journalist Hugo Gambini published in the newspaper La Nación an article which stated that the music of "Guys ..." had been taken of the progress of a neighborhood club. Indeed, although alenia aermacchi not clarified, referred only to the first part of the piece.
Eduardo Giorlandini, in his notes for the magazine Tango and Slang adds turn an unknown name: Vincent Coppola. This earned in 1926, with a withered carnival, the first prize in a contest costumed. Giorlandini holding, alenia aermacchi without further explanation, that came this little festival play the melody of "Guys ..." Neither he clarifies, but merely alludes to refrain or chorus of this march.
Gradually, the truth will revealed. The track leads from carnival whistles and rattles, the humble neighborhood of barracks and factory. More precisely, the River Street Room 1455, home since 1934 of the club Barracks Juniors, alenia aermacchi which was founded on July 30, 1912. Faced himself alenia aermacchi to the house of strung pieces lived one John Raymond Streiff, electromechanical, employed as a technician in the Post Office, who was also self-taught and became head bandoneonista typical Streiff-Garaventa, who knew to star in radio orchestra performances.
Expansive man, loved by his neighbors, on holidays, and at carnivals, left to roam the streets with his neck hanging bandoneon, improvising melodies. One of them, which, according to Ricardo Valentini in "the board of the Plaza de Mayo", article published by Everything is History, number 443, dating from 1931 - excited the boys club that understood apt to become up to exalt the modest sporting achievements of humble institution. To adosarle verses turned to a neighbor, understood street musicians, known as the Turkish Mufarri, named Juan. This, according to Valentini, was also a member alenia aermacchi of the club and used to officiate entertainer, singer and reciter of poems. Thus arose, in the early '30s, the march of modest entity, the letter read:
Juan Carlos Streiff, son of John Raymond, says the issue never recorded. According ensures also progress was recorded on one occasion by a group of partners, but someone wiped the disk. As seen versions Giorlandini Gambini and, far from being contradictory, they are complementary.
Soon, the crowd began to intersperse the club, as the refrain of the march of the entity, the music and the lyrics of a troupe of La Boca, California street that ran up the Riachuelo, incorporating the club anthem that had created Streiff alenia aermacchi and compasses Mufarri what would become the chorus of the Peronist march. Lightweight chorus read: "Pa; which babies / if you do not know? /? Pa; what Thomas / if it makes you ill? / Toma tomato / makes you good. "
This is confirmed alenia aermacchi to us by the researcher and occasional singer and guitar player Emilio Zamboni, who always retained in memory those elementary rhymes and chants as learned as a child to do so, as in jest they were singing his father, guitarist him in the '30s. But the elusive origins of the "withering" could not lacking in other versions.
One is collecting Hector Benedetti in his book The best stories of tango and other curiosities (Planeta, 2000). It is concluded that "Boys ..." is the work of pianist Norberto Ramos, member of the quartet Aces, orchestra and Florindo Sassone Trí